⚠️ Notice: As a showcase of variable fonts, this site requires a web browser that supports OpenType font variation technology. It looks like your browser doesn’t, so please consider upgrading to one that does (the latest versions of Chrome work well, even on older operating systems). Otherwise, the font samples below will only appear as static fonts.
An homage to wonky casual lettering found in everyday settings. It maintains consistent ‘multiplexed’ glyph widths across its weight variants, allowing for weight changes without text reflowing. Offered with discounted pricing while it’s still a work in progress.
Full disclosure: This typeface was designed by the editor of this website.
| Design: | Nick Sherman |
|---|---|
| Publisher: | HEX Projects |
| Characters: | Latin |
| Released: | 2020-10-06 |
| Licensing: | Paid/commercial |
| Info/fonts: | hex.xyz |
A geometric sans inspired by Art Deco lettering on the Pacaembu Stadium in São Paulo.
| Design: | Álvaro Franca, Felipe Casaprima |
|---|---|
| Publisher: | Naipe Foundry |
| Characters: | Latin |
| Released: | 2020-09-16 |
| Licensing: | By request |
| Info/fonts: | naipe.xyz |
A geometric sans with handful of glyphs reminiscent of bent metal tubing.
| Design: | Denis Serebryakov |
|---|---|
| Publisher: | Serebryakov Foundry |
| Characters: | Latin, Cyrillic |
| Released: | 2020-09-10 |
| Licensing: | Paid/commercial |
| Info/fonts: | type.today |
A narrow sans intended for screen usage at small sizes. A sibling of Action Condensed, it offers subtle grade variations for interactive effects or to counteract the effects of different rendering situations (e.g. light type on a dark background).
| Design: | Erik van Blokland |
|---|---|
| Publisher: | Commercial Type |
| Characters: | Latin, Vietnamese |
| Released: | 2020-09-08 |
| Licensing: | Paid/commercial |
| Info/fonts: | commercialtype.com |
A serif typeface originally designed for Chilean newspaper La Tercera.
| Design: | Dino dos Santos |
|---|---|
| Publisher: | DSType |
| Characters: | Latin |
| Released: | 2020-09-04 |
| Licensing: | Paid/commercial |
| Info/fonts: | dstype.com |
A sharp serif typeface with two separate italic styles – one with a fairly traditional structure and another where the placement of weight shifts around for more horizontal stress. Offered with discounted pricing while it’s still a work in progress.
| Design: | James T. Edmondson |
|---|---|
| Publisher: | OH no Type Co. |
| Characters: | Latin |
| Released: | 2020-08-24 |
| Licensing: | Paid/commercial |
| Info/fonts: | futurefonts.xyz |
A type system that can morph between a wide range of stylistic variations, including low-contrast sans, chunky slab serif, high-contrast modern, calligraphic sans, and everything in between.
| Design: | Viktor Zumegen |
|---|---|
| Publisher: | Viktor Zumegen |
| Characters: | Latin (limited) |
| Released: | 2020-08-10 |
| Licensing: | By request |
| Info/fonts: | viktorzumegen.de |
A humanist sans inspired by traditional British stone carving.
| Design: | Dalton Maag Ltd. |
|---|---|
| Publisher: | Dalton Maag Ltd. |
| Characters: | Latin |
| Released: | 2020-08-05 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | daltonmaag.com |
A geometric sans.
| Design: | Gabriel Richter |
|---|---|
| Publisher: | nice to type |
| Characters: | Latin |
| Released: | 2020-08-03 |
| Licensing: | Paid/commercial |
| Info/fonts: | nicetotype.de |
A slightly squarish sans, originally designed for Russian telecom company, MTS. Available as a single variable font with the full range of the design or as multiple variable fonts each with a limited range. Ro Hernández handled the technical mastering for the project.
| Design: | Ilya Ruderman, Yury Ostromentsky |
|---|---|
| Publisher: | CSTM Fonts |
| Characters: | Latin, Cyrillic |
| Released: | 2020-07-27 |
| Licensing: | Paid/commercial |
| Info/fonts: | type.today |
An expansion of the Adelle series with the option to gradually move between strict monospacing and a more proportional design that retains a monospaced look.
| Design: | TypeTogether, Irene Vlachou, Veronika Burian, José Scaglione |
|---|---|
| Publisher: | TypeTogether |
| Characters: | Latin |
| Released: | 2020-07-25 |
| Licensing: | Paid/commercial |
| Info/fonts: | type-together.com |
A playful sans covering a large range of weights and widths, as well as a monospaced variant.
| Design: | Dominic Huber, Moiré |
|---|---|
| Publisher: | Grilli Type |
| Characters: | Latin |
| Released: | 2020-07-21 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | gt-flexa.com |
A geometric sans that, instead of a typical optical size axis, offers more specific adjustments for details normally affected by optical size variation. Expansions are planned for italics, Arabic, Hebrew, and more.
| Design: | Christoph Koeberlin |
|---|---|
| Publisher: | Fontwerk |
| Characters: | Latin, Greek, Cyrillic, Vietnamese |
| Released: | 2020-07-20 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | fontwerk.com |
A bold headline sans that can vary between back- and forward-slanting positions.
| Design: | Krista Likar, Alja Herlah |
|---|---|
| Publisher: | Type Salon |
| Characters: | Latin, Cyrillic, Greek, Arabic, Hebrew |
| Released: | 2020-07-14 |
| Licensing: | Paid/commercial |
| Info/fonts: | type-salon.com |
A digital adaptation of W.A. Dwiggins’ unreleased upright italic typeface, Charter.
| Design: | Cristobal Henestrosa, Oscar Yañez |
|---|---|
| Publisher: | Sudtipos |
| Characters: | Latin, Vietnamese |
| Released: | 2020-07-07 |
| Licensing: | Paid/commercial |
| Info/fonts: | sudtipos.com |
A modular pixel typeface with adjustable foreground and background patterning.
| Design: | David Březina |
|---|---|
| Publisher: | Rosetta Type Foundry |
| Characters: | Latin, Cyrillic, Greek |
| Released: | 2020-07-02 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | rosettatype.com |
A narrow sans originally commissioned by Anymade Studio for Polansky Gallery.
| Design: | Displaay |
|---|---|
| Publisher: | Displaay |
| Characters: | Latin |
| Released: | 2020-07-01 |
| Licensing: | By request |
| Info/fonts: | displaay.net |
An oldstyle serif typeface.
| Design: | Ian Party |
|---|---|
| Publisher: | newglyph |
| Characters: | Latin |
| Released: | 2020-06-29 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | newglyph.com |
A simple sans covering a wide range of variation.
| Design: | Ian Party |
|---|---|
| Publisher: | newglyph |
| Characters: | Latin |
| Released: | 2020-06-29 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | newglyph.com |
A “didone” serif typeface with options for extreme stroke contrast.
| Design: | Ian Party |
|---|---|
| Publisher: | newglyph |
| Characters: | Latin |
| Released: | 2020-06-29 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | newglyph.com |
A geometric sans.
| Design: | Ian Party |
|---|---|
| Publisher: | newglyph |
| Characters: | Latin |
| Released: | 2020-06-29 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | newglyph.com |
| Design: | Martin Vácha |
|---|---|
| Publisher: | Displaay |
| Characters: | Latin |
| Released: | 2020-06-21 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | displaay.net |
| Design: | Martin Vácha |
|---|---|
| Publisher: | Displaay |
| Characters: | Latin |
| Released: | 2020-06-21 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | displaay.net |
A humanist sans designed specifically for digital user interfaces, offering subtle grade adjustments to counteract the effects of setting light type on a dark background, as is common with many “dark mode” digital reading environments.
| Design: | Dalton Maag Ltd. |
|---|---|
| Publisher: | Dalton Maag Ltd. |
| Characters: | Latin |
| Released: | 2020-06-20 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | daltonmaag.com |
A digital revival and update to Nebiolo’s Cairoli.
| Design: | Cosimo Lorenzo Pancini, Mario De Libero |
|---|---|
| Publisher: | Italiantype |
| Characters: | Latin |
| Released: | 2020-05-15 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | italiantype.com |
A wide-stanced sans with forms inspired by the Teotihuacán pyramids in Mexico.
| Design: | Beatriz Lozano |
|---|---|
| Publisher: | Beatriz Lozano |
| Characters: | Latin |
| Released: | 2020-05-14 |
| Licensing: | Free for personal and commercial use, Paid/commercial |
| Info/fonts: | beatrizl.com |
A serif typeface that contrasts round and sharp forms.
| Design: | Flavia Zimbardi |
|---|---|
| Publisher: | Undercase Type |
| Characters: | Latin (limited) |
| Released: | 2020-05-12 |
| Licensing: | Paid/commercial |
| Info/fonts: | futurefonts.xyz |
A variable font showing multiple effects of Covid-19 lockdown on a bearded face.
| Design: | Friedrich Althausen |
|---|---|
| Publisher: | Friedrich Althausen |
| Characters: | Dingbats/emoji (limited) |
| Released: | 2020-05-08 |
| Licensing: | Open source |
| Info/fonts: | github.com |
A geometric sans with the option to exaggerate details where strokes meet.
| Design: | Tomáš Brousil |
|---|---|
| Publisher: | Suitcase Type Foundry |
| Characters: | Latin, Greek, Cyrillic, Vietnamese |
| Released: | 2020-05-07 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | suitcasetype.com |
A straight-sided display-centric sans, designed as an homage to 20th-century vernacular design in Milan.
| Design: | Riccardo De Franceschi, Dalton Maag Ltd. |
|---|---|
| Publisher: | Dalton Maag Ltd. |
| Characters: | Latin |
| Released: | 2020-05-05 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | daltonmaag.com |