⚠️ Notice: As a showcase of variable fonts, this site requires a web browser that supports OpenType font variation technology. It looks like your browser doesn’t, so please consider upgrading to one that does (the latest versions of Chrome work well, even on older operating systems). Otherwise, the font samples below will only appear as static fonts.
A humanist sans with subtle faceting.
| Design: | Fabio Haag |
|---|---|
| Publisher: | Fabio Haag Type |
| Characters: | Latin |
| Release: | 2019-05-23 |
| Licensing: | Paid/commercial |
| Info/fonts: | fabiohaagtype.com |
A humanist sans.
| Design: | Fabio Haag |
|---|---|
| Publisher: | Fabio Haag Type |
| Characters: | Latin |
| Release: | 2019-05-23 |
| Licensing: | Paid/commercial |
| Info/fonts: | fabiohaagtype.com |
A friendly sans.
| Design: | Fabio Haag |
|---|---|
| Publisher: | Fabio Haag Type |
| Characters: | Latin |
| Release: | 2019-05-23 |
| Licensing: | Paid/commercial |
| Info/fonts: | fabiohaagtype.com |
A simple sans with Pan-European character support, and additional support for Arabic and Hebrew scheduled for later this year.
| Design: | William Montrose, Sláva Jevčinová, David Březina |
|---|---|
| Publisher: | Rosetta Type Foundry |
| Characters: | Latin, Greek, Cyrillic |
| Release: | 2019-05-21 |
| Licensing: | Paid/commercial, Trial |
| Info/fonts: | rosettatype.com |
A serif typeface with a large range of optical size variation, for everything from small body text to extra-large headlines. It’s the first variable font release from Typejockeys.
| Design: | Franziska Weitgruber, Michael Hochleitner |
|---|---|
| Publisher: | Typejockeys |
| Characters: | Latin |
| Release: | 2019-05-15 |
| Licensing: | Paid/commercial |
| Info/fonts: | typejockeys.com |
An unusual type system that can morph between six different serif styles, including sans-serif. See the demo page for more samples. Offered with discounted pricing while it’s still a work in progress.
| Design: | Bernd Volmer |
|---|---|
| Publisher: | Bernd Volmer |
| Characters: | Latin (limited) |
| Release: | 2019-05-15 |
| Licensing: | Paid/commercial |
| Info/fonts: | futurefonts.xyz |
A gemstone typeface with adjustable faceting.
| Design: | Arthur Reinders Folmer |
|---|---|
| Publisher: | Typearture |
| Characters: | Latin |
| Release: | 2019-05-07 |
| Licensing: | Paid/commercial |
| Info/fonts: | typearture.com |
⚠️ Notice: This variable typeface is only available as CFF-flavored variable fonts. As such, the samples here will appear broken or static unless viewed with a browser that supports CFF-flavored variable fonts (the latest desktop versions of Opera and Chrome work well).
A set of special-purpose variable fonts based on Adobe Blank and Adobe Blank 2, intended to render all Unicode characters / code points using variable glyphs. Adobe Blank VF renders all code points with empty space, and Adobe Black VF renders them with a variable rectangle. The “2” versions of the fonts are produced in a way that is more data-efficient, but may not be supported in all environments. In those cases, the plain Adobe Blank VF and Adobe Black VF fonts can be used.
| Design: | Ken Lunde |
|---|---|
| Publisher: | Adobe Inc. |
| Characters: | Dingbats/emoji, Pan-Unicode |
| Release: | 2019-05-06 |
| Licensing: | Open source |
| Info/fonts: | github.com |
The first variable incarnation of Bild, DJR’s homage to some of the more dense American gothic type styles from the 20th century. The font includes some subtle feature variations that are triggered at certain widths to improve spacing and alignment – for example, the kerning between ‘T’ and ‘y’, and the alignment between ‘i’ and ‘l’.
| Design: | David Jonathan Ross |
|---|---|
| Publisher: | DJR, Font of the Month Club |
| Characters: | Latin |
| Release: | 2019-05-01 |
| Licensing: | Paid/commercial |
| Info/fonts: | fontofthemonth.club |
An adaptation of Libre Franklin, produced as part of the US Web Design System to function as a “neutral typeface for interfaces, text, and headings”.
| Design: | Dan O. Williams, US Web Design System, Rodrigo Fuenzalida, Pablo Impallari |
|---|---|
| Publisher: | US Web Design System |
| Characters: | Latin |
| Release: | 2019-04-15 |
| Licensing: | Open source |
| Info/fonts: | github.com |
A typeface where all glyphs occupy one of three possible widths, adapted from League Mono.
| Design: | Tyler Finck |
|---|---|
| Publisher: | Etcetera Type Company |
| Characters: | Latin |
| Release: | 2019-04-12 |
| Licensing: | Free for personal and commercial use |
| Info/fonts: | etc.supply |
A condensed typeface with retractable serifs and variable stroke contrast.
| Design: | Pedro Leal, Dino dos Santos |
|---|---|
| Publisher: | DSType |
| Characters: | Latin |
| Release: | 2019-04-10 |
| Licensing: | Paid/commercial |
| Info/fonts: | dstype.com |
A brushy script.
| Design: | Jeremy Dooley |
|---|---|
| Publisher: | insigne |
| Characters: | Latin |
| Release: | 2019-04-08 |
| Licensing: | Paid/commercial |
| Info/fonts: | myfonts.com |
A cartoony sans.
| Design: | John Roshell |
|---|---|
| Publisher: | Comicraft |
| Characters: | Latin |
| Release: | 2019-04-08 |
| Licensing: | Paid/commercial |
| Info/fonts: | comicbookfonts.com |
A variable incarnation of the sans-serif styles from IBM’s Plex type series.
| Design: | Mike Abbink, Bold Monday, Paul van der Laan, Pieter van Rosmalen |
|---|---|
| Publisher: | IBM |
| Characters: | Latin |
| Release: | 2019-04-08 |
| Licensing: | Open source |
| Info/fonts: | github.com |
A mostly-monospaced dot-matrix typeface based on the smallest type size of 5 dots on the HandJet EBS-250 hand-held printer. Includes several sets of stylistic alternate glyphs, with different dot configurations and widths.
| Design: | Jack Halten Fahnestock |
|---|---|
| Publisher: | Velvetyne Type Foundry |
| Characters: | Latin, Dingbats/emoji |
| Release: | 2019-04-04 |
| Licensing: | Open source |
| Info/fonts: | velvetyne.fr |
A monospaced typeface with an unusual axis for rotating glyphs on the X axis, as if in three-dimensional space.
| Design: | Jan Sindler |
|---|---|
| Publisher: | Jan Sindler |
| Characters: | Latin (limited) |
| Release: | 2019-04-02 |
| Licensing: | Paid/commercial, Trial |
| Info/fonts: | futurefonts.xyz |
A serif typeface with sharp details.
| Design: | Florian Karsten |
|---|---|
| Publisher: | Florian Karsten |
| Characters: | Latin |
| Release: | 2019-04-01 |
| Licensing: | Paid/commercial |
| Info/fonts: | floriankarsten.com |
A variable version of Gimlet covering a range of extra-large optical sizes for the Condensed Bold style, beyond the optical sizes available in the standard retail release.
| Design: | David Jonathan Ross |
|---|---|
| Publisher: | DJR, Font of the Month Club |
| Characters: | Latin |
| Release: | 2019-04-01 |
| Licensing: | Paid/commercial |
| Info/fonts: | djr.com |
A slab serif styled after classic letterman / varsity style lettering, with some variation axes adopted from the Type Network parametric axes proposal.
| Design: | Eduardo Tunni |
|---|---|
| Publisher: | Eduardo Tunni |
| Characters: | Latin |
| Release: | 2019-03-26 |
| Licensing: | Open source |
| Info/fonts: | github.com |
A humanist serif typeface inspired by type from the French Renaissance.
| Design: | Black[Foundry] |
|---|---|
| Publisher: | Black[Foundry] |
| Characters: | Latin |
| Release: | 2019-03-26 |
| Licensing: | Paid/commercial |
| Info/fonts: | black-foundry.com |
A monospaced typeface intended for code and programming, based on Mozilla’s Fira typeface. It includes a set of ligatures for character combinations commonly used in programming. The variable version was contributed by Stephen Nixon.
| Design: | Carrois Corporate, Edenspiekermann AG, Nikita Prokopov |
|---|---|
| Publisher: | Nikita Prokopov |
| Characters: | Latin, Greek, Cyrillic, Dingbats/emoji |
| Release: | 2019-03-25 |
| Licensing: | Open source |
| Info/fonts: | github.com |
A squarish stencil sans.
| Design: | Fernando Haro |
|---|---|
| Publisher: | deFharo |
| Characters: | Latin |
| Release: | 2019-03-24 |
| Licensing: | Paid/commercial |
| Info/fonts: | defharo.com |
An industrial sans inspired by Russian lettering from the 1920s. Designed by Maria Doreuli with the help of Anna Khorash. Offered with discounted pricing while it’s still a work in progress.
| Design: | Maria Doreuli |
|---|---|
| Publisher: | Contrast Foundry |
| Characters: | Cyrillic (limited), Latin (limited) |
| Release: | 2019-03-18 |
| Licensing: | Paid/commercial |
| Info/fonts: | futurefonts.xyz |
A sans typeface with subtle quirkiness.
| Design: | Florian Karsten |
|---|---|
| Publisher: | Florian Karsten |
| Characters: | Latin |
| Release: | 2019-03-10 |
| Licensing: | Paid/commercial |
| Info/fonts: | floriankarsten.com |
A geometric-ish sans that works as a companion to Mokoko.
| Design: | Dalton Maag Ltd. |
|---|---|
| Publisher: | Dalton Maag Ltd. |
| Characters: | Latin |
| Release: | 2019-03-07 |
| Licensing: | Paid/commercial, Trial |
| Info/fonts: | daltonmaag.com |
A geometric-ish slab serif that works as a companion to Objektiv.
| Design: | Dalton Maag Ltd. |
|---|---|
| Publisher: | Dalton Maag Ltd. |
| Characters: | Latin |
| Release: | 2019-03-07 |
| Licensing: | Paid/commercial, Trial |
| Info/fonts: | daltonmaag.com |
The variation of this typeface expands the outlined forms “into a three dimensional hyperspace”. It also includes a filled top style for layering. Offered with discounted pricing while it’s still a work in progress. (Note: Some browsers may show strange artifacts due to rendering bugs.)
| Design: | Scribble Tone |
|---|---|
| Publisher: | Scribble Tone |
| Characters: | Latin (limited) |
| Release: | 2019-03-05 |
| Licensing: | Paid/commercial |
| Info/fonts: | futurefonts.xyz |
A variable typeface inspired by dance movements. It began as a collaboration with Design Indaba and the contemporary dancer Andile Vellem, and is offered with a Creative Commons BY-ND 4.0 license.
| Design: | María Ramos, Noel Pretorius |
|---|---|
| Publisher: | NM Type |
| Characters: | Latin |
| Release: | 2019-02-28 |
| Licensing: | Free for personal and commercial use |
| Info/fonts: | nmtype.com |
An experimental typeface that embraces the strange results of interpolating between blackletter and early Cyrillic ustav forms. Offered with discounted pricing while it’s still a work in progress.
| Design: | CSTM Fonts |
|---|---|
| Publisher: | CSTM Fonts |
| Characters: | Cyrillic (limited), Latin (limited) |
| Release: | 2019-02-21 |
| Licensing: | Paid/commercial |
| Info/fonts: | futurefonts.xyz |