⚠️ Notice: As a showcase of variable fonts, this site requires a web browser that supports OpenType font variation technology. It looks like your browser doesn’t, so please consider upgrading to one that does (the latest versions of Chrome work well, even on older operating systems). Otherwise, the font samples below will only appear as static fonts.
A condensed sans with several sets of stylistic alternate glyphs.
| Design: | Panos Vassiliou |
|---|---|
| Publisher: | Parachute Typefoundry |
| Characters: | Latin |
| Release: | 2019-02-07 |
| Licensing: | Paid/commercial |
| Info/fonts: | myfonts.com |
A multipurpose sans with exaggerated ink traps.
| Design: | Flora de Carvalho, Rodrigo Saiani |
|---|---|
| Publisher: | Plau |
| Characters: | Latin |
| Release: | 2019-02-05 |
| Licensing: | Paid/commercial |
| Info/fonts: | plau.co |
These prototype fonts were built by Ken Lunde and his colleagues at Adobe for developers to test support for “variable font collections” that combine the technologies for both variable fonts and font collections. The fonts simulate the structure (styles, glyphs, character mapping, features, etc) of Source Han (Serif & Sans) and Noto CJK, but only contain a dozen or so functional glyphs, repeated thousands of times. Lunde’s introduction explains how variable font collections can greatly reduce file sizes for type systems with expansive character support, like Pan-CJK fonts for typesetting East Asian scripts.
| Design: | Adobe Inc. |
|---|---|
| Publisher: | Adobe Inc. |
| Characters: | East Asian / CJK, Latin, Cyrillic, Greek, Dingbats/emoji |
| Release: | 2019-02-01 |
| Licensing: | Open source |
| Info/fonts: | github.com |
A variable version of Bree, with Latin, Cyrillic, and Greek components. The variable fonts are bundled with each full set of styles for Latin, Greek, and Cyrillic, separately.
| Design: | Veronika Burian, José Scaglione, Irene Vlachou |
|---|---|
| Publisher: | TypeTogether |
| Characters: | Latin, Cyrillic, Greek |
| Release: | 2019-01-28 |
| Licensing: | Paid/commercial |
| Info/fonts: | type-together.com |
A sharp serif typeface inspired by Baskerville, with unusual connecting serifs for some letters (as well as optional disconnected alternates).
| Design: | Alexander Slobzheninov |
|---|---|
| Publisher: | Pangram Pangram Foundry |
| Characters: | Latin |
| Release: | 2019-01-27 |
| Licensing: | Paid/commercial, Free for non-commercial use |
| Info/fonts: | pangrampangram.com |
An expressive sans inspired by the irregular characteristics of woodcuts and linocuts. Offered with discounted pricing while it’s still a work in progress.
| Design: | Ro Hernández |
|---|---|
| Publisher: | Ro Hernández |
| Characters: | Latin (limited) |
| Release: | 2019-01-22 |
| Licensing: | Paid/commercial |
| Info/fonts: | futurefonts.xyz |
A decorative sans with inline and outline effects that work for layering, originally inspired by neon signs in Portland, Oregon. Offered with discounted pricing while it’s still a work in progress.
| Design: | Scribble Tone |
|---|---|
| Publisher: | Scribble Tone |
| Characters: | Latin |
| Release: | 2019-01-21 |
| Licensing: | Paid/commercial |
| Info/fonts: | futurefonts.xyz |
A sans-serif tribute to Didot, with extra-thin hairlines.
| Design: | Adrien Midzic |
|---|---|
| Publisher: | Pizza Typefaces |
| Characters: | Latin |
| Release: | 2019-01-16 |
| Licensing: | Paid/commercial, Trial |
| Info/fonts: | typefaces.pizza |
An experiment in italicization, this one-off member of the Roslindale type series can vary its italic forms separately from the angle of slanting. The vast majority of typefaces change italic forms along with slanting, so this may be the first case of both the registered ‘italic’ and ‘slant’ axes being used in the same variable font.
| Design: | David Jonathan Ross |
|---|---|
| Publisher: | DJR |
| Characters: | Latin |
| Release: | 2019-01-01 |
| Licensing: | Paid/commercial |
| Info/fonts: | djr.com |
An extra heavy typeface originally inspired by hand-lettering from a 1950s Korean movie poster. Offered with discounted pricing while it’s still a work in progress.
| Design: | Minjoo Ham |
|---|---|
| Publisher: | Minjoo Ham |
| Characters: | Hangul |
| Release: | 2018-12-29 |
| Licensing: | Paid/commercial |
| Info/fonts: | futurefonts.xyz |
The iA Writer fonts, made for the iA Writer app, are a modification of IBM Plex, originally designed by Bold Monday with Mike Abbink at IBM. The Mono fonts match glyph widths for all characters. Duo allows an additional glyph width for letters that are otherwise cramped. Quattro uses 4 glyph widths, approaching a standard proportional typeface. Within the iA Writer app, variable weight and spacing values are adjusted depending on font size, screen, and color settings.
| Design: | Oliver Reichenstein, Bold Monday, Mike Abbink, Paul van der Laan, Pieter van Rosmalen |
|---|---|
| Publisher: | Information Architects Inc. |
| Characters: | Latin, Cyrillic, Greek |
| Release: | 2018-12-21 |
| Licensing: | Bundled, Open source |
| Info/fonts: | github.com |
A flared serif typeface inspired by Victorian typography.
| Design: | Adam Fathony |
|---|---|
| Publisher: | AF Studio |
| Characters: | Latin |
| Release: | 2018-12-20 |
| Licensing: | Paid/commercial |
| Info/fonts: | creativemarket.com |
A flared Art Nouveau / psychedelic sans. Offered with discounted pricing while it’s still a work in progress.
| Design: | Sébastien Sanfilippo |
|---|---|
| Publisher: | Love Letters |
| Characters: | Latin |
| Release: | 2018-12-14 |
| Licensing: | Paid/commercial |
| Info/fonts: | futurefonts.xyz |
A geometric sans inspired by crude computer graphics, with rotational italicization leaning in both directions.
| Design: | Schultzschultz, Marc Schütz |
|---|---|
| Publisher: | Schriftlabor |
| Characters: | Latin |
| Release: | 2018-12-13 |
| Licensing: | Paid/commercial |
| Info/fonts: | fontspring.com |
A geometric sans with flattened segments, inspired by Joseph Churchward’s typeface, Churchward Georgina.
| Design: | Johannes Breyer, Fabian Harb |
|---|---|
| Publisher: | Dinamo |
| Characters: | Latin |
| Release: | 2018-12-12 |
| Licensing: | Paid/commercial |
| Info/fonts: | fontstand.com |
An all-purpose sans with moderate stroke contrast, initially inspired by 20th-century lettering books from German designer Eugen Nerdinger. The variable fonts are included when licensing the full series of static fonts.
| Design: | Alejandro Paul |
|---|---|
| Publisher: | Sudtipos |
| Characters: | Latin |
| Release: | 2018-12-11 |
| Licensing: | Paid/commercial |
| Info/fonts: | sudtipos.com |
A variable version of Trilby, DJR’s slab serif with subtle horizontal stress.
| Design: | David Jonathan Ross |
|---|---|
| Publisher: | DJR |
| Characters: | Latin |
| Release: | 2018-12-06 |
| Licensing: | Paid/commercial |
| Info/fonts: | djr.com |
A quirky Helvetica-like sans, with an alternate set of circled characters that move around with the ‘Cycle’ axis.
| Design: | Adrien Midzic |
|---|---|
| Publisher: | Pizza Typefaces |
| Characters: | Latin (limited) |
| Release: | 2018-12-05 |
| Licensing: | Paid/commercial, Trial |
| Info/fonts: | typefaces.pizza |
An all-caps sans inspired by Greek lettering from the 1950s and ’60s. A high-contrast counterpart is available as non-variable fonts.
| Design: | George Triantafyllakos |
|---|---|
| Publisher: | Atypical |
| Characters: | Latin, Greek |
| Release: | 2018-12-05 |
| Licensing: | Paid/commercial |
| Info/fonts: | atypical.gr |
A variable version of the monospaced styles from the larger PhD series.
| Design: | George Triantafyllakos |
|---|---|
| Publisher: | Atypical |
| Characters: | Latin, Greek |
| Release: | 2018-12-05 |
| Licensing: | Paid/commercial |
| Info/fonts: | atypical.gr |
An all-caps grotesque sans.
| Design: | George Triantafyllakos |
|---|---|
| Publisher: | Atypical |
| Characters: | Latin, Greek |
| Release: | 2018-12-05 |
| Licensing: | Paid/commercial |
| Info/fonts: | atypical.gr |
A high-contrast sans to go with the larger Slab series. Text-centric variants are also available as non-variable fonts.
| Design: | George Triantafyllakos |
|---|---|
| Publisher: | Atypical |
| Characters: | Latin, Greek, Cyrillic |
| Release: | 2018-12-05 |
| Licensing: | Paid/commercial |
| Info/fonts: | atypical.gr |
A variable version of Portada, produced by Irene Vlachou. The variable font is included when licensing the full Portada family.
| Design: | Veronika Burian, José Scaglione |
|---|---|
| Publisher: | TypeTogether |
| Characters: | Latin |
| Release: | 2018-12-04 |
| Licensing: | Paid/commercial |
| Info/fonts: | type-together.com |
A significantly revised and updated version of Crimson.
| Design: | Jacques Le Bailly, Sebastian Kosch |
|---|---|
| Publisher: | Jacques Le Bailly |
| Characters: | Latin |
| Release: | 2018-12-04 |
| Licensing: | Open source |
| Info/fonts: | github.com |
Handjet started as an exercise with design students to make a typeface for handset printers and their 32-pixel vertical matrix, but grew into a large multi-script design. It is “provided for free, for a limited time, without any artistic aspirations, assumptions of originality, or kerning”.
| Design: | David Březina |
|---|---|
| Publisher: | Rosetta Type Foundry |
| Characters: | Latin, Cyrillic, Greek, Dingbats/emoji (limited) |
| Release: | 2018-12-04 |
| Licensing: | Free for personal and commercial use |
| Info/fonts: | rosettatype.com |
A single-weight sans with pinched stroke joints and other quirky features.
| Design: | George Triantafyllakos |
|---|---|
| Publisher: | Atypical |
| Characters: | Latin, Greek |
| Release: | 2018-12-04 |
| Licensing: | Paid/commercial |
| Info/fonts: | atypical.gr |
A reinterpretation and expansion of Marvin, Michael Chave’s 1969 phototypesetting typeface. The new design was initially developed for use in Visions, a science-fiction magazine.
| Design: | Mathieu Triay |
|---|---|
| Publisher: | Atelier Triay |
| Characters: | Latin, Cyrillic |
| Release: | 2018-12-03 |
| Licensing: | Trial, Free for non-commercial use, Paid/commercial |
| Info/fonts: | readvisions.com |
A general-purpose sans.
| Design: | Tyler Finck |
|---|---|
| Publisher: | Etcetera Type Company |
| Characters: | Latin |
| Release: | 2018-12-01 |
| Licensing: | Paid/commercial |
| Info/fonts: | etc.supply |
An all-caps sans inspired by quirky vernacular lettering.
| Design: | Jean Wojciechowski |
|---|---|
| Publisher: | Massimo Studio |
| Characters: | Latin |
| Release: | 2018-11-30 |
| Licensing: | Free for personal and commercial use |
| Info/fonts: | behance.net |
An all-caps typeface with variable ribbon-like ornamentation.
| Design: | George Triantafyllakos |
|---|---|
| Publisher: | George Triantafyllakos |
| Characters: | Latin, Greek |
| Release: | 2018-11-27 |
| Licensing: | Free for personal and commercial use |
| Info/fonts: | backpacker.gr |