⚠️ Notice: As a showcase of variable fonts, this site requires a web browser that supports OpenType font variation technology. It looks like your browser doesn’t, so please consider upgrading to one that does (the latest versions of Chrome work well, even on older operating systems). Otherwise, the font samples below will only appear as static fonts.
A flared Art Nouveau / psychedelic sans.
| Design: | Sébastien Sanfilippo |
|---|---|
| Publisher: | Love Letters |
| Characters: | Latin |
| Release: | 2018-12-14 |
| Licensing: | Paid/commercial |
| Info/fonts: | futurefonts.xyz |
A geometric sans inspired by crude computer graphics, with rotational italicization leaning in both directions.
| Design: | Schultzschultz, Ole Schulte, Marc Schütz |
|---|---|
| Publisher: | Schriftlabor |
| Characters: | Latin |
| Release: | 2018-12-13 |
| Licensing: | Paid/commercial |
| Info/fonts: | fontspring.com |
A variable version of Ostrich, a straight-sided sans.
| Design: | Tyler Finck |
|---|---|
| Publisher: | Tyler Finck |
| Characters: | Latin |
| Release: | 2018-12-10 |
| Licensing: | Paid/commercial |
| Info/fonts: | creativemarket.com |
A variable version of Trilby, DJR’s slab serif with subtle horizontal stress.
| Design: | David Jonathan Ross |
|---|---|
| Publisher: | DJR |
| Characters: | Latin |
| Release: | 2018-12-06 |
| Licensing: | Paid/commercial |
| Info/fonts: | djr.com |
An all-caps sans inspired by Greek lettering from the 1950s and ’60s. A high-contrast counterpart is available as non-variable fonts.
| Design: | George Triantafyllakos |
|---|---|
| Publisher: | Atypical |
| Characters: | Latin, Greek |
| Release: | 2018-12-05 |
| Licensing: | Paid/commercial |
| Info/fonts: | atypical.gr |
A variable version of the monospaced styles from the larger PhD series.
| Design: | George Triantafyllakos |
|---|---|
| Publisher: | Atypical |
| Characters: | Latin, Greek |
| Release: | 2018-12-05 |
| Licensing: | Paid/commercial |
| Info/fonts: | atypical.gr |
An all-caps grotesque sans.
| Design: | George Triantafyllakos |
|---|---|
| Publisher: | Atypical |
| Characters: | Latin, Greek |
| Release: | 2018-12-05 |
| Licensing: | Paid/commercial |
| Info/fonts: | atypical.gr |
A high-contrast sans to go with the larger Slab series. Text-centric variants are also available as non-variable fonts.
| Design: | George Triantafyllakos |
|---|---|
| Publisher: | Atypical |
| Characters: | Latin, Greek, Cyrillic |
| Release: | 2018-12-05 |
| Licensing: | Paid/commercial |
| Info/fonts: | atypical.gr |
A variable version of Portada, produced by Irene Vlachou. The variable font is included when licensing the full Portada family.
| Design: | Veronika Burian, José Scaglione |
|---|---|
| Publisher: | TypeTogether |
| Characters: | Latin |
| Release: | 2018-12-04 |
| Licensing: | Paid/commercial |
| Info/fonts: | type-together.com |
Handjet started as an exercise with design students to make a typeface for handset printers and their 32-pixel vertical matrix, but grew into a large multi-script design. It is “provided for free, for a limited time, without any artistic aspirations, assumptions of originality, or kerning”.
| Design: | David Březina |
|---|---|
| Publisher: | Rosetta Type Foundry |
| Characters: | Latin, Cyrillic, Greek, Dingbats/emoji (limited) |
| Release: | 2018-12-04 |
| Licensing: | Free for personal and commercial use |
| Info/fonts: | rosettatype.com |
A single-weight sans with pinched stroke joints and other quirky features.
| Design: | George Triantafyllakos |
|---|---|
| Publisher: | Atypical |
| Characters: | Latin, Greek |
| Release: | 2018-12-04 |
| Licensing: | Paid/commercial |
| Info/fonts: | atypical.gr |
A reinterpretation and expansion of Marvin, Michael Chave’s 1969 phototypesetting typeface. The new design was initially developed for use in Visions, a science-fiction magazine.
| Design: | Mathieu Triay |
|---|---|
| Publisher: | Atelier Triay |
| Characters: | Latin, Cyrillic |
| Release: | 2018-12-03 |
| Licensing: | Trial, Free for non-commercial use, Paid/commercial |
| Info/fonts: | readvisions.com |
A general-purpose sans.
| Design: | Tyler Finck |
|---|---|
| Publisher: | Etcetera Type Company |
| Characters: | Latin |
| Release: | 2018-12-01 |
| Licensing: | Paid/commercial |
| Info/fonts: | etc.supply |
An all-caps sans inspired by quirky vernacular lettering.
| Design: | Jean Wojciechowski |
|---|---|
| Publisher: | Massimo Studio |
| Characters: | Latin |
| Release: | 2018-11-30 |
| Licensing: | Free for personal and commercial use |
| Info/fonts: | behance.net |
An all-caps typeface with variable ribbon-like ornamentation.
| Design: | George Triantafyllakos |
|---|---|
| Publisher: | George Triantafyllakos |
| Characters: | Latin, Greek |
| Release: | 2018-11-27 |
| Licensing: | Free for personal and commercial use |
| Info/fonts: | backpacker.gr |
A monospaced typeface made of variable pixels.
| Design: | George Triantafyllakos |
|---|---|
| Publisher: | George Triantafyllakos |
| Characters: | Latin, Greek |
| Release: | 2018-11-27 |
| Licensing: | Free for personal and commercial use |
| Info/fonts: | backpacker.gr |
An all-caps sans with diagonal stroke endings.
| Design: | George Triantafyllakos |
|---|---|
| Publisher: | George Triantafyllakos |
| Characters: | Latin, Greek |
| Release: | 2018-11-27 |
| Licensing: | Free for personal and commercial use |
| Info/fonts: | backpacker.gr |
A playful, brushy typeface based on lettering from US National Wilderness signage. Offered with discounted pricing while it’s still a work in progress.
| Design: | Scribble Tone |
|---|---|
| Publisher: | Scribble Tone |
| Characters: | Latin |
| Release: | 2018-11-26 |
| Licensing: | Paid/commercial |
| Info/fonts: | futurefonts.xyz |
A chamfered sans where the counterforms remain the same size across a range of weights.
| Design: | Oscar Cobo |
|---|---|
| Publisher: | Oscar Cobo |
| Characters: | Latin |
| Release: | 2018-11-21 |
| Licensing: | Free for personal and commercial use |
| Info/fonts: | behance.net |
Titillium started as a collaborative open source font project at Accademia di Belle Arti di Urbino. It was expanded by Mohamed Gaber to support Arabic (under the name Cairo), and adapted to a variable format by Eli Heuer. The upright font currently covers a wider range of weights than the italic.
| Design: | Accademia di Belle Arti di Urbino, Mohamed Gaber |
|---|---|
| Publisher: | Accademia di Belle Arti di Urbino, Kief Type Foundry, Eli Heuer |
| Characters: | Latin, Arabic |
| Release: | 2018-11-20 |
| Licensing: | Open source |
| Info/fonts: | github.com |
A narrow sans.
| Design: | Fernando Haro |
|---|---|
| Publisher: | deFharo |
| Characters: | Latin |
| Release: | 2018-11-16 |
| Licensing: | Open source |
| Info/fonts: | github.com |
A grotty sans with a wide range of typographic features: Adobe Latin 3 character support, small caps, stylistic alternates, upper- and lowercase numerals, etc.
| Design: | Wei Huang |
|---|---|
| Publisher: | Wei Huang |
| Characters: | Latin |
| Release: | 2018-11-15 |
| Licensing: | Open source |
| Info/fonts: | weiweihuanghuang.github.io |
A variable font that allows for width adjustment as well as the contraction of diacritic marks and descenders, enabling tighter linespacing.
| Design: | Šimon Matějka |
|---|---|
| Publisher: | Briefcase Type Foundry |
| Characters: | Latin |
| Release: | 2018-11-14 |
| Licensing: | Paid/commercial |
| Info/fonts: | briefcasetype.com |
A geometric sans with ballooning, circular, ink trap-like counterforms.
| Design: | Ian Griffin |
|---|---|
| Publisher: | Ian Griffin |
| Characters: | Latin (limited) |
| Release: | 2018-11-13 |
| Licensing: | Paid/commercial |
| Info/fonts: | gumroad.com |
A monospaced typeface with unusual variable serifs that create chain-like forms, inspired by plastic Cečka toys that were popular in communist Czechoslovakia. Includes a set of double-wide capitals as stylistic alternate glyphs.
| Design: | Ivana Palečková, Jitka Janečková |
|---|---|
| Publisher: | Ivana Palečková, Jitka Janečková |
| Characters: | Latin |
| Release: | 2018-11-08 |
| Licensing: | By request |
| Info/fonts: | plastic-typeface.com |
A modern interpretation of Keystone Type Foundry’s 1901 typeface, Salem. Offered with discounted pricing while it’s still a work in progress.
| Design: | Daria Petrova |
|---|---|
| Publisher: | Daria Petrova |
| Characters: | Latin, Cyrillic |
| Release: | 2018-11-05 |
| Licensing: | Paid/commercial |
| Info/fonts: | futurefonts.xyz |
A boxy sans featuring an extra-tall x-height and slightly flared strokes, with nods to Neil Bold in its heavier weights. Offered with discounted pricing while it’s still a work in progress.
| Design: | Jake Fleming |
|---|---|
| Publisher: | Jake Fleming |
| Characters: | Latin |
| Release: | 2018-11-05 |
| Licensing: | Paid/commercial |
| Info/fonts: | futurefonts.xyz |
A rigidly geometric sans.
| Design: | Ian Griffin |
|---|---|
| Publisher: | Ian Griffin |
| Characters: | Latin (limited) |
| Release: | 2018-11-04 |
| Licensing: | Paid/commercial |
| Info/fonts: | gumroad.com |
A horizontal-stress, stencil, variable font that’s unusual because it’s a color font, but also because its variation doesn’t alter the glyph shapes like most variable fonts. Instead, color font technology, variable font technology, and OpenType contextual alternates are combined to cycle through multiple color combos. Users can generate versions with custom color palettes using DJR’s Color Font Customizer. (If the sample here is black and/or doesn’t change with the sliders, your browser doesn’t fully support variable color fonts yet.)
| Design: | David Jonathan Ross |
|---|---|
| Publisher: | DJR |
| Characters: | Latin |
| Release: | 2018-11-01 |
| Licensing: | Paid/commercial |
| Info/fonts: | djr.com |
A rounded sans with a plump handwritten feeling.
| Design: | Daniel Feldt |
|---|---|
| Publisher: | Great Scott |
| Characters: | Latin |
| Release: | 2018-10-26 |
| Licensing: | Paid/commercial |
| Info/fonts: | creativemarket.com |