A simple resource for finding and trying variable fonts
⚠️ Notice: As a showcase of variable fonts, this site requires a web browser that supports OpenType font variation technology. It looks like your browser doesn’t, so please consider upgrading to one that does (the latest versions of Chrome work well, even on older operating systems). Otherwise, the font samples below will only appear as static fonts.
A narrow sans intended for screen usage at small sizes. A sibling of Action Condensed, it offers subtle grade variations for interactive effects or to counteract the effects of different rendering situations (e.g. light type on a dark background).
A sharp serif typeface with two separate italic styles – one with a fairly traditional structure and another where the placement of weight shifts around for more horizontal stress. Offered with discounted pricing while it’s still a work in progress.
A type system that can morph between a wide range of stylistic variations, including low-contrast sans, chunky slab serif, high-contrast modern, calligraphic sans, and everything in between.
A slightly squarish sans, originally designed for Russian telecom company, MTS. Available as a single variable font with the full range of the design or as multiple variable fonts each with a limited range. Ro Hernández handled the technical mastering for the project.
An expansion of the Adelle series with the option to gradually move between strict monospacing and a more proportional design that retains a monospaced look.
Design:
TypeTogether, Irene Vlachou, Veronika Burian, José Scaglione
A geometric sans that, instead of a typical optical size axis, offers more specific adjustments for details normally affected by optical size variation. Expansions are planned for italics, Arabic, Hebrew, and more.
A humanist sans designed specifically for digital user interfaces, offering subtle grade adjustments to counteract the effects of setting light type on a dark background, as is common with many “dark mode” digital reading environments.
A series of geometric sans typefaces with different handling of terminals (horizontal or not) and the connection of round strokes with vertical stems (smooth intersections or not).