⚠️ Notice: As a showcase of variable fonts, this site requires a web browser that supports OpenType font variation technology. It looks like your browser doesn’t, so please consider upgrading to one that does (the latest versions of Chrome work well, even on older operating systems). Otherwise, the font samples below will only appear as static fonts.
A variable color font inspired by modular toy construction sets. (If the sample here is black and/or doesn’t change with the sliders, your browser doesn’t fully support variable color fonts yet.)
| Design: | Arthur Reinders Folmer |
|---|---|
| Publisher: | Typearture |
| Characters: | Latin (limited) |
| Released: | 2020-04-06 |
| Licensing: | Paid/commercial |
| Info/fonts: | futurefonts.xyz |
James Edmondson’s take on a general-purpose “boring” sans.
| Design: | James T. Edmondson |
|---|---|
| Publisher: | OH no Type Co. |
| Characters: | Latin |
| Released: | 2020-04-01 |
| Licensing: | Paid/commercial |
| Info/fonts: | ohnotype.co |
A back-slanted brush script based on left-handed lettering.
| Design: | Phaedra Charles |
|---|---|
| Publisher: | Undercase Type |
| Characters: | Latin (limited) |
| Released: | 2020-03-26 |
| Licensing: | Paid/commercial |
| Info/fonts: | futurefonts.xyz |
A wide slab-and-sans pair, inspired by typefaces in 1874 specimens from Fundição Typographica Portuense.
| Design: | Dino dos Santos, Pedro Leal |
|---|---|
| Publisher: | DSType |
| Characters: | Latin |
| Released: | 2020-03-23 |
| Licensing: | Paid/commercial |
| Info/fonts: | dstype.com |
A variable version of Condor, a high-contrast sans inspired by 20th-century commercial lettering.
| Design: | David Jonathan Ross |
|---|---|
| Publisher: | DJR |
| Characters: | Latin |
| Released: | 2020-03-12 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | djr.com |
A bold, narrow sans with adjustable wavy distortion.
| Design: | Daria Zorkina |
|---|---|
| Publisher: | tomorrow.type.today |
| Characters: | Latin, Cyrillic |
| Released: | 2020-03-05 |
| Licensing: | Paid/commercial |
| Info/fonts: | tomorrow.type.today |
A sharp and sparkly take on the Scotch genre of serif typefaces.
| Design: | Leo Philp |
|---|---|
| Publisher: | Cast Type Foundry |
| Characters: | Latin |
| Released: | 2020-03-03 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | c-a-s-t.com |
A variable subset of the Banner optical size range from DJR’s Dattilo revival, optimized for large display settings with extra-tight 1970s-style spacing.
| Design: | David Jonathan Ross |
|---|---|
| Publisher: | DJR |
| Characters: | Latin, Vietnamese |
| Released: | 2020-03-01 |
| Licensing: | Paid/commercial |
| Info/fonts: | djr.com |
A typeface that takes cues from some early 20th-century typefaces with soft serifs, like Windsor, Cooper, and Souvenir.
| Design: | Phaedra Charles, Flavia Zimbardi |
|---|---|
| Publisher: | Undercase Type |
| Characters: | Latin, Vietnamese |
| Released: | 2020-02-26 |
| Licensing: | Open source |
| Info/fonts: | undercase.xyz |
A variable remake of the CP Company typeface.
| Design: | Fabrizio Schiavi |
|---|---|
| Publisher: | Fabrizio Schiavi |
| Characters: | Latin |
| Released: | 2020-02-18 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | fsd.it |
A general-purpose sans. Available as a “full family” variable font (covering the full range of weight, width, and italic variations, as shown here), or as subset versions with different combinations of weight, width, and italic axes as separate variable fonts.
| Design: | Dalton Maag Ltd. |
|---|---|
| Publisher: | Dalton Maag Ltd. |
| Characters: | Latin |
| Released: | 2020-02-10 |
| Licensing: | Paid/commercial, Trial |
| Info/fonts: | daltonmaag.com |
A quirky serif typeface.
| Design: | Giulio Galli |
|---|---|
| Publisher: | Cast Type Foundry |
| Characters: | Latin |
| Released: | 2020-02-04 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | c-a-s-t.com |
A squarish sans with athletic and/or futuristic overtones.
| Design: | Francesco Canovaro |
|---|---|
| Publisher: | Zetafonts |
| Characters: | Latin, Vietnamese, Greek, Cyrillic |
| Released: | 2020-02-04 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | zetafonts.com |
A loopy monospaced typeface with adjustable stroke contrast, moving between monoline and horizontal stress, and additional retractable serifs.
| Design: | TypeType, Vika Usmanova |
|---|---|
| Publisher: | TypeTrends |
| Characters: | Latin, Cyrillic |
| Released: | 2020-02-04 |
| Licensing: | Paid/commercial |
| Info/fonts: | myfonts.com |
A multi-purpose sans with warm personality.
| Design: | Alejandro Freitez |
|---|---|
| Publisher: | Sudtipos |
| Characters: | Latin |
| Released: | 2020-01-31 |
| Licensing: | Paid/commercial |
| Info/fonts: | sudtipos.com |
A sans typeface that morphs between subdued and weirdly distorted.
| Design: | Cosimo Lorenzo Pancini |
|---|---|
| Publisher: | Zetafonts |
| Characters: | Latin |
| Released: | 2020-01-30 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | zetafonts.com |
A rectangular, sci-fi themed sans.
| Design: | John Roshell |
|---|---|
| Publisher: | Swell Type |
| Characters: | Latin, Cyrillic |
| Released: | 2020-01-28 |
| Licensing: | Paid/commercial |
| Info/fonts: | swelltype.com |
The Sans members of the larger Zarid series that also includes Serif and Slab counterparts. Pascal Zoghbi designed the Arabic components and Jan Fromm designed the Latin. The Stencil variant was designed by Pascal Zoghbi with consultancy from Jan Fromm on the Latin and released June 27, 2020. The Cyrillic and Greek extensions were designed by Krista Radoeva and released July 13, 2020.
| Design: | Pascal Zoghbi, Jan Fromm, Krista Radoeva |
|---|---|
| Publisher: | 29LT |
| Characters: | Arabic, Latin, Cyrillic, Greek |
| Released: | 2020-01-22 |
| Updated: | 2020-07-13 |
| Licensing: | Paid/commercial |
| Info/fonts: | 29lt.com |
A simplified type series with monospaced Latin. Originally released with just the rounded Baseet styles. The sharpened Zawi styles were released March 29, 2020.
| Design: | Pascal Zoghbi, Ben Wittner, Swiss Typefaces |
|---|---|
| Publisher: | 29LT |
| Characters: | Latin, Arabic |
| Released: | 2020-01-22 |
| Updated: | 2020-03-29 |
| Licensing: | Paid/commercial |
| Info/fonts: | 29lt.com |
The Slab members of the larger Zarid series that also includes Serif and Sans counterparts.
Pascal Zoghbi designed the Arabic components and Jan Fromm designed the Latin.
| Design: | Pascal Zoghbi, Jan Fromm |
|---|---|
| Publisher: | 29LT |
| Characters: | Latin, Arabic |
| Released: | 2020-01-22 |
| Licensing: | Paid/commercial |
| Info/fonts: | 29lt.com |
The Serif members of the larger Zarid series that also includes Slab and Sans counterparts.
Pascal Zoghbi designed the Arabic components. For the Latin: Display and Text Upright were designed by Ramiro Espinoza; Serif Upright was designed by Ramiro Espinoza & Khajag Apelian; Serif Slanted and Text Slanted were designed by Jan Fromm.
| Design: | Pascal Zoghbi, Ramiro Espinoza, Jan Fromm, Khajag Apelian |
|---|---|
| Publisher: | 29LT |
| Characters: | Latin, Arabic |
| Released: | 2020-01-22 |
| Licensing: | Paid/commercial |
| Info/fonts: | 29lt.com |
A spurless sans.
| Design: | Pascal Zoghbi, Adrien Midzic, Swiss Typefaces |
|---|---|
| Publisher: | 29LT |
| Characters: | Latin, Arabic |
| Released: | 2020-01-22 |
| Licensing: | Paid/commercial |
| Info/fonts: | 29lt.com |
A sharp and squiggly typeface.
| Design: | Jérémy Landes |
|---|---|
| Publisher: | OH no Type Co. |
| Characters: | Latin |
| Released: | 2020-01-21 |
| Licensing: | Trial, Paid/commercial |
| Info/fonts: | ohnotype.co |
A sans-serif typeface. There’s a long article explaining the design process.
| Design: | TypeType, Nadezhda Polomoshnova, Pavel Emelyanov, Marina Khodak, Kseniya Karataeva |
|---|---|
| Publisher: | TypeTrends |
| Characters: | Latin, Cyrillic |
| Released: | 2020-01-21 |
| Licensing: | Paid/commercial |
| Info/fonts: | myfonts.com |
A geometric sans.
| Design: | Delve Withrington |
|---|---|
| Publisher: | Delve Fonts |
| Characters: | Latin |
| Released: | 2020-01-18 |
| Licensing: | Paid/commercial |
| Info/fonts: | delvefonts.com |
A humanist sans with variable flaring. The Volume axis also offers more subtle adjustments to the angularity of the flaring.
| Design: | Kostas Bartsokas |
|---|---|
| Publisher: | Kostas Bartsokas |
| Characters: | Latin, Cyrillic, Greek, Vietnamese |
| Released: | 2020-01-15 |
| Updated: | 2020-07-21 |
| Licensing: | Open source |
| Info/fonts: | github.com |
A serif type series with quirky details. Each font includes a set of variable dingbats/emoji.
| Design: | Reto Moser |
|---|---|
| Publisher: | Grilli Type |
| Characters: | Latin, Dingbats/emoji |
| Released: | 2020-01-15 |
| Licensing: | Paid/commercial |
| Info/fonts: | gt-alpina.com |
A type series designed for Kyiv city identification.
| Design: | Dmitry Rastvortsev |
|---|---|
| Publisher: | Dmitry Rastvortsev |
| Characters: | Latin |
| Released: | 2020-01-14 |
| Licensing: | Free for personal and commercial use |
| Info/fonts: | behance.net |
A hyper-stylized ode to fat-faces of the early 1800s as viewed through the lens of the 1970s.
| Design: | James T. Edmondson |
|---|---|
| Publisher: | OH no Type Co. |
| Characters: | Latin |
| Released: | 2020-01-13 |
| Licensing: | Paid/commercial |
| Info/fonts: | ohnotype.co |
A wide, top-heavy sans.
| Design: | TypeType, Vika Usmanova, Antonina Zhulkova, Philipp Nurullin |
|---|---|
| Publisher: | TypeType |
| Characters: | Latin, Cyrillic |
| Released: | 2020-01-07 |
| Licensing: | Paid/commercial |
| Info/fonts: | myfonts.com |