Blinker
A squarish sans covering a wide range of weight.
Tags: body text, sans, futuristic/sci-fi, superellipse | |
Design: | Jürgen Huber |
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Publisher: | supertype |
Characters: | Latin |
Released: | 2019-02-11 |
Licensing: | Open source |
Info/fonts: | github.com |
⚠️ Notice: As a showcase of variable fonts, this site requires a web browser that supports OpenType font variation technology. It looks like your browser doesn’t, so please consider upgrading to one that does (the latest versions of Chrome work well, even on older operating systems). Otherwise, the font samples below will only appear as static fonts.
Open-source fonts can typically be used, modified, and distributed free of charge under very permissive terms. Note that there are different open-source licenses with different terms of use. As always, check each font’s license for details.
A squarish sans covering a wide range of weight.
Tags: body text, sans, futuristic/sci-fi, superellipse | |
Design: | Jürgen Huber |
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Publisher: | supertype |
Characters: | Latin |
Released: | 2019-02-11 |
Licensing: | Open source |
Info/fonts: | github.com |
These prototype fonts were built by Ken Lunde and his colleagues at Adobe for developers to test support for “variable font collections” that combine the technologies for both variable fonts and font collections. The fonts simulate the structure (styles, glyphs, character mapping, features, etc) of Source Han (Serif & Sans) and Noto CJK, but only contain a dozen or so functional glyphs, repeated thousands of times. Lunde’s introduction explains how variable font collections can greatly reduce file sizes for type systems with expansive character support, like Pan-CJK fonts for typesetting East Asian scripts.
Tags: serif, sans, CFF, proof of concept | |
Design: | Adobe |
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Publisher: | Adobe |
Characters: | East Asian / CJK, Hangul, Latin, Cyrillic, Greek, dingbats/emoji, Vietnamese |
Released: | 2019-02-01 |
Licensing: | Open source |
Info/fonts: | github.com |
A variable version of PT Root UI, “intended for screen reading, interfaces, websites, as well as wayfinding systems”.
Tags: body text, sans, multiplexed, multiplexed weight, neo-grotesque | |
Design: | Vitaly Kuzmin |
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Publisher: | Paratype |
Characters: | Latin, Cyrillic |
Released: | 2019-01-29 |
Licensing: | Open source |
Info/fonts: | paratype.com |
A variable incarnation of Eduardo Tunni’s Changa. The Arabic glyphs were designed in collaboration with Mohamed Gaber. The variable font was produced by Eli Heuer.
Tags: decorative/display, sans, M-formula, rectangular, superellipse | |
Design: | Eduardo Tunni |
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Publisher: | Eli Heuer |
Characters: | Latin, Arabic |
Released: | 2019-01-08 |
Licensing: | Open source |
Info/fonts: | github.com |
The iA Writer fonts, made for the iA Writer app, are a modification of IBM Plex, originally designed by Bold Monday with Mike Abbink at IBM. The Mono fonts match glyph widths for all characters. Duo allows an additional glyph width for letters that are otherwise cramped. Quattro uses 4 glyph widths, approaching a standard proportional typeface.
Tags: body text, sans, some serifs, code, monospaced, multiplexed, multiplexed weight, neo-grotesque, pinched joints, quantized | |
Design: | Oliver Reichenstein, Bold Monday, Mike Abbink, Paul van der Laan, Pieter van Rosmalen |
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Publisher: | Information Architects Inc. |
Characters: | Latin, Cyrillic, Vietnamese |
Released: | 2018-12-21 |
Licensing: | Bundled, Open source |
Info/fonts: | github.com |
A significantly revised and updated version of Crimson.
Tags: body text, serif | |
Design: | Jacques Le Bailly, Sebastian Kosch |
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Publisher: | Jacques Le Bailly |
Characters: | Latin, Vietnamese |
Released: | 2018-12-04 |
Licensing: | Open source |
Info/fonts: | github.com |
Handjet started as an exercise with design students to make a typeface for handset printers and their 32-pixel vertical matrix, but grew into a large multi-script design.
In 2019, Google sponsored and extension and open-source release of the typeface. Consultants for the project include Maria Doreuli (Cyrillic), Irene Vlachou (Greek), Borna Izadpanah (Arabic), Khajag Apelian (Armenian), and Meir Sadan (Hebrew).
The font is provided with a warning that “variable fonts are relatively new and Handjet sometimes challenges the limits. You might get unpredictable, yet beautiful and somewhat amusing, rendering errors in Adobe software. It works well in browsers as far as we know.”
Tags: decorative/display, sans, modular, multiplexed, multiplexed weight, pixel, polygonal, straight-sided, unusual variation | |
Design: | David Březina |
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Publisher: | Rosetta Type Foundry |
Characters: | Latin, Vietnamese, Cyrillic, Greek, Armenian, Arabic, Hebrew, dingbats/emoji |
Released: | 2018-12-04 |
Updated: | 2021-05-12 |
Licensing: | Open source |
Info/fonts: | rosettatype.com |
Titillium started as a collaborative open source font project at Accademia di Belle Arti di Urbino. It was expanded by Mohamed Gaber to support Arabic (under the name Cairo), and adapted to a variable format by Eli Heuer. The upright font currently covers a wider range of weights than the italic.
Tags: body text, sans, monoline, superellipse | |
Design: | Accademia di Belle Arti di Urbino, Mohamed Gaber |
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Publisher: | Accademia di Belle Arti di Urbino, Kief Type Foundry, Eli Heuer |
Characters: | Latin, Arabic, Vietnamese |
Released: | 2018-11-20 |
Licensing: | Open source |
Info/fonts: | github.com |
A narrow sans.
Tags: body text, sans, neo-grotesque | |
Design: | Fernando Haro |
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Publisher: | deFharo |
Characters: | Latin |
Released: | 2018-11-16 |
Updated: | 2018-11-24 |
Licensing: | Open source |
Info/fonts: | github.com |
A grotty sans with a wide range of typographic features: Adobe Latin 3 character support, small caps, stylistic alternates, upper- and lowercase numerals, etc.
Tags: body text, sans, feature variations, grotesque, monoline, swash | |
Design: | Wei Huang |
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Publisher: | Wei Huang |
Characters: | Latin, Vietnamese |
Released: | 2018-11-15 |
Updated: | 2020-02-02 |
Licensing: | Open source |
Info/fonts: | weiweihuanghuang.github.io |
A sans typeface designed for small to medium sizes in digital environments. (Formerly known as Inter UI.)
Tags: body text, sans, neo-grotesque, variable posture | |
Design: | Rasmus Andersson |
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Publisher: | rsms |
Characters: | Latin, Cyrillic, Greek, Vietnamese |
Released: | 2018-09-10 |
Updated: | 2020-04-10 |
Licensing: | Open source |
Info/fonts: | rsms.me |
A variable interpretation of Antique 307, a slab-serif originally offered by the Bruce Type Foundry.
Tags: decorative/display, slab serif, geometric, pinched joints | |
Design: | Mike LaGattuta |
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Publisher: | Mike LaGattuta |
Characters: | Latin, Vietnamese |
Released: | 2018-08-03 |
Licensing: | Open source |
Info/fonts: | github.com |
A tribute to Paul Renner’s Futura typeface. The variable sources are available on GitHub, and can be used to generate variable fonts. Otherwise, complete/usable variable font binaries are “available for a minimum of $10”.
Tags: sans, geometric, variable posture | |
Design: | Owen Earl |
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Publisher: | indestructible type |
Characters: | Latin |
Released: | 2018-06-11 |
Updated: | 2018-09-03 |
Licensing: | Open source, Paid/commercial |
Info/fonts: | indestructibletype.com |
A variable version of League Mono.
Tags: sans, some serifs, code, monospaced, multiplexed, multiplexed weight | |
Design: | Tyler Finck |
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Publisher: | The League of Moveable Type, Tyler Finck |
Characters: | Latin |
Released: | 2018-05-31 |
Licensing: | Open source |
Info/fonts: | tylerfinck.com |
A multi-script typeface for body text inspired by Tim Holloway’s original Markazi. The Arabic glyphs were designed by Bornā Izadpanāh with direction from Fiona Ross, and the Latin glyphs were designed by Florian Runge.
Tags: body text, serif, wedge serif, woman-designed | |
Design: | Borna Izadpanah, Florian Runge, Fiona Ross |
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Publisher: | Borna Izadpanah, Google |
Characters: | Arabic, Latin, Vietnamese |
Released: | 2018-05-08 |
Licensing: | Open source |
Info/fonts: | github.com |
A stencil sans that maintains consistently-sized counterforms across a wide range of weights.
Tags: decorative/display, sans, all caps, consistent counters, futuristic/sci-fi, modular, rectangular, stencil, straight-sided, vertex spread | |
Design: | Adrien Midzic |
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Publisher: | Adrien Midzic |
Characters: | Latin |
Released: | 2018-04-05 |
Licensing: | Open source |
Info/fonts: | adrienmidzic.fr |
The variable version of Sudo, a monospaced typeface for coders.
Tags: body text, sans, some serifs, cartoon, code, feature variations, monospaced, multiplexed, multiplexed posture, multiplexed weight, retractable extenders, variable posture | |
Design: | Jens Kutílek |
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Publisher: | Jens Kutílek |
Characters: | Latin, Vietnamese, dingbats/emoji |
Released: | 2018-03-28 |
Updated: | 2021-06-24 |
Licensing: | Open source |
Info/fonts: | kutilek.de |
A serif typeface for body text. The original design is by Olga Karpushina. The Cyrillic extension and variable font production is by Alexei Vanyashin.
Tags: body text, serif, ball terminals | |
Design: | Olga Karpushina, Alexei Vanyashin |
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Publisher: | Cyreal |
Characters: | Latin, Cyrillic, Vietnamese |
Released: | 2018-01-18 |
Licensing: | Open source |
Info/fonts: | github.com |
A variable sans inspired by the public lettering of California’s license plates, highway signs, etc.
Tags: body text, sans, gothic, monoline, neo-grotesque, straight-sided | |
Design: | Jeremy Tribby |
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Publisher: | Tribby Type Co. |
Characters: | Latin |
Released: | 2017-11-17 |
Licensing: | Open source |
Info/fonts: | tribby.com |
Intended for testing font variations and MutatorMath.
Tags: decorative/display, sans, all caps, cartoon | |
Design: | Erik van Blokland |
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Publisher: | LettError |
Characters: | Latin (limited) |
Released: | 2017-11-06 |
Updated: | 2018-08-30 |
Licensing: | Open source |
Info/fonts: | github.com |
Gnomon* is designed to be layered with its variable shade effects, imitating shadows from the sun at different times of day. The underlying design is inspired by lettering on American WWII posters.
Tags: decorative/display, sans, grotesque, Johnstonian, position, shade, unusual variation | |
Design: | Owen Earl |
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Publisher: | indestructible type |
Characters: | Latin (limited) |
Released: | 2017-10-23 |
Licensing: | Open source |
Info/fonts: | indestructibletype.com |
A variable incarnation of Wim Crouwel’s New Alphabet system for parametric typesetting.
Tags: decorative/display, sans, chamfered, futuristic/sci-fi, modular, monoline, monospaced, polygonal, rectangular, spurless, squooshed, straight-sided, unicase, unusual variation | |
Design: | Rafael de Azevedo |
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Publisher: | TipoTipos |
Characters: | Latin (limited) |
Released: | 2017-10-14 |
Licensing: | Open source |
Info/fonts: | github.com |
A proof-of-concept experiment using font variations to communicate a continuous range of emotional expression. The font only supports an very limited character set (just enough to spell “emotional”).
Tags: decorative/display, sans, script, calligraphic, handwriting, proof of concept, monoline, neo-grotesque, polygonal, retractable serifs, rounded, sharp, unusual variation, wavy/wiggly, woman-designed | |
Design: | Promphan Suksumek |
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Publisher: | Promphan Suksumek |
Characters: | Latin (limited) |
Released: | 2017-09-14 |
Licensing: | Open source |
Info/fonts: | emotionaltype.org |
The variable version of Adobe’s Source Code Pro. It comes bundled with Creative Cloud apps and is also available as an open source font.
Tags: body text, sans, some serifs, CFF, code, gothic, monospaced, multiplexed, multiplexed weight | |
Design: | Paul D. Hunt |
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Publisher: | Adobe |
Characters: | Latin, Greek, Cyrillic, Vietnamese |
Released: | 2017-08-18 |
Updated: | 2021-01-15 |
Licensing: | Open source, Bundled |
Info/fonts: | github.com |
The variable version of Adobe’s Source Sans Pro. It comes bundled with Creative Cloud apps and is also available as an open source font.
Tags: body text, sans, CFF, gothic | |
Design: | Paul D. Hunt |
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Publisher: | Adobe |
Characters: | Latin, Greek, Cyrillic, Vietnamese |
Released: | 2017-08-18 |
Updated: | 2020-09-07 |
Licensing: | Open source, Bundled |
Info/fonts: | github.com |
The variable version of Adobe’s Source Serif Pro, a contemporary interpretation of Pierre-Simon Fournier’s 18th-century typefaces. It comes bundled with Creative Cloud apps and is also available as an open source font. The design is by Frank Grießhammer, with contributions from Reymund Schroeder, Emilios Theofanous, Thomas Thiemich, and Irene Vlachou.
Tags: body text, serif, ball terminals, CFF, optical sizes, teardrop terminals | |
Design: | Frank Grießhammer |
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Publisher: | Adobe |
Characters: | Latin, Greek, Cyrillic, Vietnamese |
Released: | 2017-08-18 |
Updated: | 2021-01-25 |
Licensing: | Open source, Bundled |
Info/fonts: | github.com |
A variable test font based on Cinzel and Cinzel Decorative. The swash axis gradually replaces the uppercase with swash glyphs and the lowercase with larger capitals.
Tags: decorative/display, serif, all caps, calligraphic, feature variations, inscriptional, ornamented, spur serifs, swash, unusual variation | |
Design: | Natanael Gama, Adam Twardoch |
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Publisher: | Adam Twardoch |
Characters: | Latin |
Released: | 2017-05-04 |
Licensing: | Open source |
Info/fonts: | github.com |
A variable version of Nunito, offered as an Early Access beta release via Google Fonts.
Tags: decorative/display, body text, sans, monoline, neo-grotesque, rounded | |
Design: | Vernon Adams |
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Publisher: | |
Characters: | Latin, Vietnamese |
Released: | 2017-04-06 |
Licensing: | Open source |
Info/fonts: | fonts.google.com |
Decovar is an experimental typeface with many unusual axes that allow for a large range of stylistic variation.
Tags: decorative/display, serif, slab serif, sans, geometric, all caps, Art Deco, fat-face, inline, inscriptional, proof of concept, monoline, ornamented, retractable serifs, rounded, sharp, spur serifs, soft corners, stub serifs, unusual variation, wedge serif | |
Design: | David Berlow |
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Publisher: | Font Bureau |
Characters: | Latin (limited) |
Released: | 2017-02-07 |
Licensing: | Open source |
Info/fonts: | github.com |
The world’s first variable color font release, containing only one character: the pile of poo emoji ?. (If the poo appears all black and/or doesn’t move with the slider, your browser doesn’t fully support variable color fonts yet.)
Tags: decorative/display, animation, cartoon, color, dingbats, proof of concept, unusual variation | |
Design: | Roel Nieskens, David Jonathan Ross |
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Publisher: | PixelAmbacht |
Characters: | dingbats/emoji |
Released: | 2017-01-24 |
Licensing: | Open source |
Info/fonts: | github.com |